The New Italians
New faces, with indefinable and captivating physiognomies, move through our cities. They are the sons and daughters of multiethnic marriages between an Italian and an immigrant: the Italian Creoles. These new citizens have entered our seemingly monocultural national reality without clamour, breaking the dialectic that pits "us" against "other ethnic groups."
The term "Creole" (criollo, kriol, créole), rarely used in our lexicon, is well known in the societies of Latin America and the Caribbean, where it indicates individuals born from the union of French, Spanish or Portuguese parents with Native Americans or people of African descent.
But physical "creoleness" is just a starting point. The point of arrival is the simultaneous presence of multiple cultural elements, now the norm in any corner of the world and in any person, regardless of genetic origins.
The whole world is becoming creolised, because cultures in contact with one another cannot resist the constant exchange of mutual influences. We walk the streets of our cities and dance Zumba, eat couscous, and listen to rap music; girls braid their hair in African style. Our new heroes have colours and features unlike the familiar local archetypes.
Does planetary multiculturalism catch us unprepared? One wonders whether integration in Italy will follow a different, less confrontational path than in nations with a strong colonial past. Let us assume we have overcome the problems tied to recent massive immigration. We must acknowledge that we are already dealing with subsequent generations and face the imperative to learn to live alongside others in full openness to their presence and the transformation they bring.
The Creoles, bearers of difference, are symbols of the evolution of world societies. They exemplify how to thrive in diversity, far from the uniform and the identical, opposing universality and schismatic purity with the conscious harmonisation of difference.
2014 · Umbria World Festival, Foligno
2015 · Fotoleggendo, Roma
Exhibition Setup
The exhibition at Umbria World Festival, in the historic Palazzo Trinci in Foligno, set against a worthy backdrop of Renaissance frescoes.

I've been working on this theme on and off in the past years. The goal of this project was to delve further into the issues of massive immigration and integration in Italy, revealing a growing reality across Italian society. Secondarily, the intention was also to show that Italy was socially upgrading to a more complex level than the rest of the world. This is not at all an obvious reality in Italy, as it is in other nations: awareness of this evolution remains poor. As a matter of fact, I've been one of the few, if not the only one, photographing the subject up to now. Beginning with storytelling, I decided to change the photographic search into collecting a gallery of close-ups, where my children also appear.
National Geographic Italia
Nel 2013, verso giugno, mi capitò la fortunata circostanza di mostrare alcuni recenti close-up di 'creoli' al direttore del National Geographic Italia, e coincidenza volle che nel numero in preparazione per il 125esimo anniversario, era previsto un servizio di Martin Schoeller, con le stesse caratteristiche e su un tema analogo 'I nuovi volti americani'. Ricevuto l'OK dalla direzione americana, il mio servizio sarebbe stato pubblicato al posto del suo. A luglio portai a venti il numero dei ritratti, un numero sufficiente per la pubblicazione. In seguito ho sempre continuato e la galleria di ritratti continua a crescere, attualmente sono circa 50.
Making of Mondo Creolo


Opening Mondo Creolo at Fotoleggendo
La Repubblica
Mondo Creolo — Interviste complete
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