Syntography: the photographer's vocabulary applied to a generative tool. Not a filter applied after the fact, not a style preset clicked into place — a directing practice. Subject, light, composition, tension. The prompt is the script. The generation is the take. The eye hasn't been replaced. It's been accelerated.
The images in this collection span fashion and surrealism, sculpture and cyberpunk, the hyperreal and the impossible. What connects them is a single consistent decision: every frame was intentional. Not lucky. Not random. Directed.
Eighty-eight syntographies, 2024–2025. Each one a question: where does the photographer end and the machine begin? The answer, frame by frame, is the work itself.
Choose your best.